Figure 1, Paganini, 24 Capricci op. 1, No. 1
Figure 2, Liszt, Bravour-Studien nach Paganini, No. 4a
Figure 3, Liszt, Bravour-Studien nach Paganini, No. 4b
Figure 4, Liszt, Bravour-Studien nach Paganini, No. 4c
Figure 6, Liszt, Étude d´exécution transcendante, “Paysage,” m. 1
Figure 7, Mozart, Piano Concerto, K. 482, 2nd. movement, m 64 (Ruthardt)
Figure 8, Mozart, Piano Concerto, K. 482, 2nd. movement, m 64 (Teichmüller)
Figure 9, Wagner, Tristan und Isolde, 2nd Act, Scene 2 (Kleinmichel)
Figure 10, Wagner, Tristan und Isolde, 2nd Act, Scene 2 (Motl und Kogel)
Figure 11, Wagner, Tristan und Isolde, 2nd Act, Scene 2 (Bülow)
Figure 12, Nielsen, Symphony No. 3, “Espansiva,” 1st movement, m. 1
Figure 13, Berg, Wozzeck, 1 m. before number 110
Figure 14, Beethoven, Symphony No. 9, 1st movement, m. 6
Figure 15, Berlioz, Harold en Italie, pp. 190-191
Figure 16, Holst, The Planets, “Uranus,” number IX
Figure 17, Prokofiev,Violin Concerto No. 2, 2nd movement, m. 1
Figure 18, Stravinsky, Suite No. 1, “Napolitana,” number 3
Figure 19, Stravinsky, In Memoriam Dylan Thomas (1954), Dirge-Canons, m 1
Figure 20, Stravinsky, Le sacre du printemps, number 13
Figure 21, Berlioz, Roméo et Juliette, Scène d´amour, m. 185
Figure 22, Strauss, Sinfonia Domestica, number 8 (1. violin)
Figure 23, Stravinsky, Le sacre du printemps, 3 m. before number 54, section
Figure 24, Berlioz, Symphonie fantastique, 11 m. before number 63
Figure 25, Lutoslawski, Livre pour orchestre, Chapter 1, m. 1
Figure 26, Tchaikovsky, Symphony No. 6 (“Pathétique”), 4th movement, m. 1
Figure 27, Tchaikovsky, Symphony No. 6 (“Pathétique”), 4th movement, m. 90
Figure 28, Britten, Variations on a Theme of Frank Bridge, number 21, m. 15
Figure 29, Ligeti, Atmosphères, m. 34
Figure 30,Mozart, Symphony No. 40, 1st movement, m. 1
Figure 31, Debussy, La mer, 1st movement, number 3, m. 1
Figure 32, Tchaikovsky, Symphony No. 6 (“Pathétique”), 2nd movement, m. 25
Figure 33, Strauss, Sinfonia Domestica, number 29
Figure 34, Mozart, Symphony No. 40, 1st movement, m 44
Figure 35,Bach/Webern, Das Musikalische Opfer, Ricercare, m. 1
Figure 36, Messiaen, Turangalîla Symphony (1948), 9th movement, m. 1
Figure 37, Castiglioni, Tropi (1959), 4 m. before G
Figure 38, Bizet, L’Arlesienne Suite No. 1, m. 1
Figure 39, Britten, Variations on a theme of Frank Bridge, number 28, m. 6
Figure 40, Shostakovich, Symphony No. 5, 1st movement, m. 243
Figure 41, Holst, The Planets, “Jupiter,” m. 266
Figure 42, Debussy, Le martyre de Saint Sébastien, m. 1
Figure 43, Ravel, Bolero, number 15, m. 3
Figure 44, Ravel, Bolero, number 5, m. 3
Figure 45, Ravel, Bolero, number 8, m. 3
Figure 46, Messiaen, Turangalîla Symphony, 5th movement, number 1, m. 4
Figure 47, Stravinsky, Petrushka, “Danse Russe,” number 64
Figure 48, Stravinsky, Le sacre du printemps, number 83
Figure 49, Stravinsky, Le sacre du printemps, number 89
Figure 50, Stravinsky, Le sacre du printemps, number 91
Figure 51, Mozart, The Marriage of Figaro, Overture, m. 112
Figure 52, Berlioz, Symphonie fantastique, 1st movement, m. 413
Figure 53, De Falla, Nights in the Gardens of Spain, number 7
Figure 54, Ravel, Bolero, m. 293
Figure 55, Berlioz,Symphonie fantastique, 1st movement, number 6, m. 3
Figure 56, Bartók, Concerto for Orchestra, 1st movement, number 51
Figure 57, De Falla, Nights in the Gardens of Spain, number 15, m. 3
Figure 58, Brahms, Symphony No. 4, 1st movement, m. 1
Figure 59, Brahms, Symphony No. 4, 4th movement, m. 94
Figure 60, Berlioz, Symphonie fantastique, 1st movement, m. 44
Figure 61, Berlioz, Harold en Italie, p. 154, m. 3
Figure 62, Stravinsky, Le sacre du printemps, number 59
Figure 63, Holst, The Planets, “Venus,” m. 11
Figure 64, Stravinsky, Petrushka, “Dance Russe,” number 78
Figure 65, Ravel, Valses nobles et sentimentales I, m. 25
Figure 66, Ravel, Valses nobles et sentimentales I, number 3, m. 5
Figure 67, Ravel, Valses nobles et sentimentales VI, m. 37
Figure 68, Ravel, Valses nobles et sentimentales VI, number 42
Figure 69, Ravel, Valses nobles et sentimentales VIII, m. 43
Figure 70, Ravel, Valses nobles et sentimentales VIII, number71
Figure 71, Sibelius, Finlandia, m. 1
Figure 72, Mozart,Piano Sonata K. 545, “Sonata facile,” m. 1
Figure 73, Ravel, Une barque sur l´océan, m. 1
Figure 74, Beethoven, Violin Sonata op. 24 No. 5, m. 1
Figure 75, Beethoven,Violin Sonata op. 24 No. 5, m. 11
Figure 76, Ravel, Une barque sur l´océan, m. 1
Figure 77, Ravel, Une Barque sur l´océan, m. 1, reduction
Figure 78, Strauss, Ein Heldenleben, number 72
Figure 79, Ruders, Symphony No. 1, 3rd movement, number 4, m. 7
Figure 80, Wagner, Walkürenritt, p. 427 (Eulenburg)
Figure 81, Ravel, Daphnis et Chloé, number 156, m. 4
Figure 82, Stravinsky, Petrushka, number 176
Figure 83, Ives, The Unanswered Question, p. 6
Figure 84, Mahler, Symphony No. 1, 1st movement, m. 1
Figure 85, Strauss, Salome, number 317, m. 3
Figure 86, Strauss, Ein Heldenleben, number 2, m. 5
Figure 87, Strauss, Ein Heldenleben, number 2, m. 5, reduction
Figure 88, Strauss, Ein Heldenleben, number 2, m. 5, “2nd line,” reduction
Figure 89, Stravinsky, Le sacre du printemps, number 29, segment analysis
Figure 90, Schönberg, Five Pieces for Orchestra op. 16, 4th movement, m. 287
Figure 91, Schoenberg, Five Pieces for Orchestra op. 16, 4th movement, m. 287, reduction
Figure 92, Wagner, Das Rheingold, Vorspiel, m. 29
Figure 93, Debussy, Iberia, “Les parfums de la nuit,” number 43
Figure 94, Debussy, Iberia, “Les parfums de la nuit,” number 38
Figure 95, Strauss, Till Eulenspiegel, m. 472
Figure 96, Stravinsky, Petrushka, number 167, m. 1
Figure 97, Schoenberg, Five Pieces for Orchestra op. 16, “Farben,” m. 13
Figure 98, Schoenberg, Five Pieces for Orchestra op. 16, “Farben,” m. 13, reduction
Figure 99, Schoenberg, Five Pieces for Orchestra op. 16, “Farben,” final chord
Figure 100, Varèse, Arcana, m. 1
Figure 101, Varèse, Arcana, m. 1, reduction
Figure 102 , Langgaard, Music of the Spheres, p. 7
Figure 103, Strauss, Don Quixote, Variation VIII, m. 1
Figure 104, Strauss, Till Eulenspiegel, number 11
Figure 105, Ligeti, Atmosphères (1961), m. 1
Figure 106, Ligeti, Atmosphères (1961), m. 62
Figure 107, Ligeti, Atmosphères (1961), m. 44, section
Figure 108, Lutoslawski, Symphony No. 2 (1967), 1st movement, m. 1
Figure 109, Lutoslawski, Trois poèmes d’Henri Michaux (1963), 1st movement, m. 51
Figure 110, Penderecki, Threnos (1960), m. 6
Figure 111, Penderecki, Threnos (1960), instructions
Figure 112, Xenakis, Metastaseis (1954), m. 287
Figure 113, Adams, Harmonium (1981), 1st movement, m. 142
Figure 114, Berlioz, Symphonie fantastique, 1st movement, m. 516-528
Figure 115, Berlioz, Symphonie fantastique, 1st movement, m. 516-528, reduction
Figure 116, Brahms, Symphony No. 4, 4th movement, m. 1
Figure 117, Brahms, Symphony No. 4, 4th movement, m. 1, reduction
Figure 118, Mozart, Symphony No. 40, 3rd movement, m. 15
Figure 119, Wagner, Tristan und Isolde, Vorspiel, m. 43
Figure 120, Wagner,Lohengrin, Vorspiel, m. 23
Figure 121, Wagner,Lohengrin, Vorspiel, m. 23, reduction
Figure 122, Reger,Variationen und Fuge über ein Thema von Mozart, fugue, number 29, m. 5
Figure 123, Reger, Variationen und Fuge über ein Thema von Mozart, fugue, number 29, m. 5, reduction
Figure 124, Reger, Variationen und Fuge über ein Thema von Mozart, fugue, number 29, m. 5, alto part
Figure 125, Mozart, Symphony No. 41, 4th movement, m. 384
Figure 126, Beethoven, Symphony No. 3 (“Eroica”), 4th movement, m. 138
Figure 127, Mendelssohn, Symphony No. 4, 2nd movement, m. 12
Figure 128, Britten, The Young Person’s Guide to the Orchestra, fugue, letter E
Figure 129, Brahms, Symphony No. 2, final chord
Figure 130, Strauss, Till Eulenspiegel, final chord
Figure 131, Strauss, Ein Heldenleben, final chord (ff)
Figure 132, Strauss, Ein Heldenleben, final chord (p molto dim)
Figure 133, Strauss, Tod und Verklärung, final chord
Figure 134, Mahler, Symphony No. 6, final chord
Figure 135, Stravinsky, Symphony of Psalms, opening chord
Figure 136, Stravinsky, Symphony of Psalms, final chord
Figure 137, Stravinsky, Suite No. 2, “Galop,” final chord
Figure 138, Strauss, Don Quixote, m. 120
Figure 139, Strauss, Ein Heldenleben, number 71, m. 4
Figure 140, Beethoven, Symphony No. 7, 2nd movement, m. 75
Figure 141, Stravinsky, Le sacre du printemps, 3 m. before number 71
Figure 143, Stravinsky, Chorale Variations on “Vom Himmel hoch” (Bach), var. 4, m. 13
Figure 144, Stravinsky, Petrushka, m. 1
Figure 145, Stravinsky, Petrushka, number 121, m. 2
Figure 146, Vivaldi, The Four Seasons, “Autumn,” 3rd movement, m. 30
Figure 147, Strauss, Don Quixote, Variation II, m. 224
Figure 148, Strauss, Don Quixote, Variation II, m. 234
Figure 149, Stravinsky, Petrushka, number 17, m. 3
Figure 150, Crumb, Vox Balaenae (1971), “Archeozoic,” m. 1
Figure 151, Stravinsky, Symphony in three Movements, 3rd movement, number 169, m. 5
Figure 152, Strauss, Der Bürger als Edelmann, 7th movement, m. 46
Figure 153, Strauss, Der Bürger als Edelmann, 7th movement, m. 1
Figure 154, Stravinsky, Agon, Gailliarde, m. 164
Figure 155, Debussy, Nocturnes, “Fêtes,” number 10
Figure 156, Strauss, Der Rosenkavalier, 2nd Act, number 26, m. 5
Figure 157, Stravinsky, Petrushka, “Dance of the Peasant and the Bear,” number 188, m. 3
Figure 158, Debussy, Iberia, number 57, m. 4
Figure 159, Stravinsky, Petrushka, number 132, m. 3
Figure 160, Stravinsky, Pulcinella, 1st movement, number 5, m. 5
Figure 161, Stravinsky, Symphony of Psalms, 2nd movement, number 1, m. 5
Figure 162, Stravinsky, Agon, Interlude, m. 39
Figure 163, Haydn, Symphony No. 101, 1st movement, m. 24, first subject
Figure 164, Haydn, Symphony No. 101, 1st movement, m. 80, second subject
Figure 165, Beethoven, Symphony No. 5, 1st movement, m. 1, first subject
Figure 166, Beethoven, Symphony No. 5, 1st movement, m. 59, second subject
Figure 167, Mozart, Symphony No. 40, 1st movement
Figure 168, Schumann, Symphony No. 3, m. 1
Figure 169, Schumann, Symphony No. 3, m. 95
Figure 170, Debussy, Nocturnes, “Nuages,” number 2, m. 7
Figure 171, Mahler, Symphony No. 4, 3rd movement, m. 55
Figure 172, Mahler, Symphony No. 6, 2nd movement, number 65, m. 3
Figure 173, Mahler, Kindertotenlieder, “Nun will die Sonn’ so hell aufgeh’n,” number 8
Figure 174, Mahler, Symphony No. 9, 1st movement, number 12. m. 4
Figure 175, Lutoslawski, Livre pour orchestre (1968), Chapter 1
Figure 176, Mahler, Symphony No. 9, 1st movement, 8 m. before number 14
Figure 177, Beethoven, Leonora Overture No. 3, m. 268
Figure 178, Langgaard, Music of the Spheres, number 9
