The Idiomatic Orchestra

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4. Unisono and Doubling

I. Unisono and Doubling

II. Linear and Split Unison

III. Perfect Unison

IV. Octaves

V. Parallelfordobling

VI. Partial Doubling and Heterophony

VII. Reverberation, Echo, Resonance and Acoustic Reflection

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  • 1. introduction
    • Introduction
    • Idiomatic practice
    • Essence and Appearance – Intent and Realization
  • 2. Translation, Clarifi- cation, Amplification
  • 3. Segment Analysis
  • 4. Unisono and Doubling
    • Unisono and Doubling
    • Linear and Split Unison
    • Perfect Unison
    • Octaves
    • Parallel Doubling
    • Partial Doubling and Heterophony
    • Reverberation, Echo, Resonance and Acoustic Reflection
  • 5. Foreground and Background – Melody and Accompaniment
    • Part 1
    • Part 2
  • 6. Active Harmony
  • 7. Orchestral Idioms and Mass Effects after World War II
  • 8. Polyphony and Voice Leading
  • 9. Dynamics and Balance
    • Dynamics and Balance
    • Chords
  • 10. Dynamics and Notation
  • 11. Articulation
  • 12. Timbre, Sound Combinations and Imitation
  • 13. Disposition of Form
  • 14. Orchestra Size and Setting
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