The Idiomatic Orchestra
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lasse laursen
lalalaursen@gmail.com
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1. introduction
Introduction
Idiomatic practice
Essence and Appearance – Intent and Realization
2. Translation, Clarifi- cation, Amplification
3. Segment Analysis
4. Unisono and Doubling
Unisono and Doubling
Linear and Split Unison
Perfect Unison
Octaves
Parallel Doubling
Partial Doubling and Heterophony
Reverberation, Echo, Resonance and Acoustic Reflection
5. Foreground and Background – Melody and Accompaniment
Part 1
Part 2
6. Active Harmony
7. Orchestral Idioms and Mass Effects after World War II
8. Polyphony and Voice Leading
9. Dynamics and Balance
Dynamics and Balance
Chords
10. Dynamics and Notation
11. Articulation
12. Timbre, Sound Combinations and Imitation
13. Disposition of Form
14. Orchestra Size and Setting