The Idiomatic Orchestra

Search
Skip to content
  • Home
  • Content
  • Examples
  • Participate
  • Comment
  • About
  • Donate
  • Copyrights
  • Links

supported by

 

 

DJM_logo_positiv_cmyk_DK

Lasse Laursen’s participation in this project was supported by The Royal Academy of Music (Aarhus)

 

Augustinus_Fonden_logo_FINAL_a4

Thilo Reinhard’s translation was financed by Augustinus Fonden financed

6746 Total Views 2 Views Today
  • 1. introduction
    • Introduction
    • Idiomatic practice
    • Essence and Appearance – Intent and Realization
  • 2. Translation, Clarifi- cation, Amplification
  • 3. Segment Analysis
  • 4. Unisono and Doubling
    • Unisono and Doubling
    • Linear and Split Unison
    • Perfect Unison
    • Octaves
    • Parallel Doubling
    • Partial Doubling and Heterophony
    • Reverberation, Echo, Resonance and Acoustic Reflection
  • 5. Foreground and Background – Melody and Accompaniment
    • Part 1
    • Part 2
  • 6. Active Harmony
  • 7. Orchestral Idioms and Mass Effects after World War II
  • 8. Polyphony and Voice Leading
  • 9. Dynamics and Balance
    • Dynamics and Balance
    • Chords
  • 10. Dynamics and Notation
  • 11. Articulation
  • 12. Timbre, Sound Combinations and Imitation
  • 13. Disposition of Form
  • 14. Orchestra Size and Setting
Proudly powered by WordPress