Examples by number

Figure 1, Paganini, 24 Capricci op. 1, No. 1

Figure 2, Liszt, Bravour-Studien nach Paganini, No. 4a

Figure 3, Liszt, Bravour-Studien nach Paganini, No. 4b

Figure 4, Liszt, Bravour-Studien nach Paganini, No. 4c

Figure 5, Liszt, Étude (1826)

Figure 6, Liszt, Étude d´exécution transcendante, “Paysage,” m. 1

Figure 7, Mozart, Piano Concerto, K. 482, 2nd. movement, m 64 (Ruthardt)

Figure 8, Mozart, Piano Concerto, K. 482, 2nd. movement, m 64 (Teichmüller)

Figure 9, Wagner, Tristan und Isolde, 2nd Act, Scene 2 (Kleinmichel)

Figure 10, Wagner, Tristan und Isolde, 2nd Act, Scene 2 (Motl und Kogel)

Figure 11, Wagner, Tristan und Isolde, 2nd Act, Scene 2 (Bülow)

Figure 12, Nielsen, Symphony No. 3, “Espansiva,” 1st movement, m. 1

Figure 13, Berg, Wozzeck, 1 m. before number 110

Figure 14, Beethoven, Symphony No. 9, 1st movement, m. 6

Figure 15, Berlioz, Harold en Italie, pp. 190-191

Figure 16, Holst, The Planets, “Uranus,” number IX

Figure 17, Prokofiev,Violin Concerto No. 2, 2nd movement, m. 1

Figure 18, Stravinsky, Suite No. 1, “Napolitana,” number 3

Figure 19, Stravinsky, In Memoriam Dylan Thomas (1954), Dirge-Canons, m 1

Figure 20, Stravinsky, Le sacre du printemps, number 13

Figure 21, Berlioz, Roméo et Juliette, Scène d´amour, m. 185

Figure 22, Strauss, Sinfonia Domestica, number 8 (1. violin)

Figure 23, Stravinsky, Le sacre du printemps, 3 m. before number 54, section

Figure 24, Berlioz, Symphonie fantastique, 11 m. before number 63

Figure 25, Lutoslawski, Livre pour orchestre, Chapter 1, m. 1

Figure 26, Tchaikovsky, Symphony No. 6 (“Pathétique”), 4th movement, m. 1

Figure 27, Tchaikovsky, Symphony No. 6 (“Pathétique”), 4th movement, m. 90

Figure 28, Britten, Variations on a Theme of Frank Bridge, number 21, m. 15

Figure 29, Ligeti, Atmosphères, m. 34

Figure 30,Mozart, Symphony No. 40, 1st movement, m. 1

Figure 31, Debussy, La mer, 1st movement, number 3, m. 1

Figure 32, Tchaikovsky, Symphony No. 6 (“Pathétique”), 2nd movement, m. 25

Figure 33, Strauss, Sinfonia Domestica, number 29

Figure 34, Mozart, Symphony No. 40, 1st movement, m 44

Figure 35,Bach/Webern, Das Musikalische Opfer, Ricercare, m. 1

Figure 36, Messiaen, Turangalîla Symphony (1948), 9th movement, m. 1

Figure 37, Castiglioni, Tropi (1959), 4 m. before G

Figure 38, Bizet, L’Arlesienne Suite No. 1, m. 1

Figure 39, Britten, Variations on a theme of Frank Bridge, number 28, m. 6

Figure 40, Shostakovich, Symphony No. 5, 1st movement, m. 243

Figure 41, Holst, The Planets, “Jupiter,” m. 266

Figure 42, Debussy, Le martyre de Saint Sébastien, m. 1

Figure 43, Ravel, Bolero, number 15, m. 3

Figure 44, Ravel, Bolero, number 5, m. 3

Figure 45, Ravel, Bolero, number 8, m. 3

Figure 46, Messiaen, Turangalîla Symphony, 5th movement, number 1, m. 4

Figure 47, Stravinsky, Petrushka, “Danse Russe,” number 64

Figure 48, Stravinsky, Le sacre du printemps, number 83

Figure 49, Stravinsky, Le sacre du printemps, number 89

Figure 50, Stravinsky, Le sacre du printemps, number 91

Figure 51, Mozart, The Marriage of Figaro, Overture, m. 112

Figure 52, Berlioz, Symphonie fantastique, 1st movement, m. 413

Figure 53, De Falla, Nights in the Gardens of Spain, number 7

Figure 54, Ravel, Bolero, m. 293

Figure 55, Berlioz,Symphonie fantastique, 1st movement, number 6, m. 3

Figure 56, Bartók, Concerto for Orchestra, 1st movement, number 51

Figure 57, De Falla, Nights in the Gardens of Spain, number 15, m. 3

Figure 58, Brahms, Symphony No. 4, 1st movement, m. 1

Figure 59, Brahms, Symphony No. 4, 4th movement, m. 94

Figure 60, Berlioz, Symphonie fantastique, 1st movement, m. 44

Figure 61, Berlioz, Harold en Italie, p. 154, m. 3

Figure 62, Stravinsky, Le sacre du printemps, number 59

Figure 63, Holst, The Planets, “Venus,” m. 11

Figure 64, Stravinsky, Petrushka, “Dance Russe,” number 78

Figure 65, Ravel, Valses nobles et sentimentales I, m. 25

Figure 66, Ravel, Valses nobles et sentimentales I, number 3, m. 5

Figure 67, Ravel, Valses nobles et sentimentales VI, m. 37

Figure 68, Ravel, Valses nobles et sentimentales VI, number 42

Figure 69, Ravel, Valses nobles et sentimentales VIII, m. 43

Figure 70, Ravel, Valses nobles et sentimentales VIII, number71

Figure 71, Sibelius, Finlandia, m. 1

Figure 72, Mozart,Piano Sonata K. 545, “Sonata facile,” m. 1

Figure 73, Ravel, Une barque sur l´océan, m. 1

Figure 74, Beethoven, Violin Sonata op. 24 No. 5, m. 1

Figure 75, Beethoven,Violin Sonata op. 24 No. 5, m. 11

Figure 76, Ravel, Une barque sur l´océan, m. 1

Figure 77, Ravel, Une Barque sur l´océan, m. 1, reduction

Figure 78, Strauss, Ein Heldenleben, number 72

Figure 79, Ruders, Symphony No. 1, 3rd movement, number 4, m. 7

Figure 80, Wagner, Walkürenritt, p. 427 (Eulenburg)

Figure 81, Ravel, Daphnis et Chloé, number 156, m. 4

Figure 82, Stravinsky, Petrushka, number 176

Figure 83, Ives, The Unanswered Question, p. 6

Figure 84, Mahler, Symphony No. 1, 1st movement, m. 1

Figure 85, Strauss, Salome, number 317, m. 3

Figure 86, Strauss, Ein Heldenleben, number 2, m. 5

Figure 87, Strauss, Ein Heldenleben, number 2, m. 5, reduction

Figure 88, Strauss, Ein Heldenleben, number 2, m. 5, “2nd line,” reduction

Figure 89, Stravinsky, Le sacre du printemps, number 29, segment analysis

Figure 90, Schönberg, Five Pieces for Orchestra op. 16, 4th movement, m. 287

Figure 91, Schoenberg, Five Pieces for Orchestra op. 16, 4th movement, m. 287, reduction

Figure 92, Wagner, Das Rheingold, Vorspiel, m. 29

Figure 93, Debussy, Iberia, “Les parfums de la nuit,” number 43

Figure 94, Debussy, Iberia, “Les parfums de la nuit,” number 38

Figure 95, Strauss, Till Eulenspiegel, m. 472

Figure 96, Stravinsky, Petrushka, number 167, m. 1

Figure 97, Schoenberg, Five Pieces for Orchestra op. 16, “Farben,” m. 13

Figure 98, Schoenberg, Five Pieces for Orchestra op. 16, “Farben,” m. 13, reduction

Figure 99, Schoenberg, Five Pieces for Orchestra op. 16, “Farben,” final chord

Figure 100, Varèse, Arcana, m. 1

Figure 101, Varèse, Arcana, m. 1, reduction

Figure 102 , Langgaard, Music of the Spheres, p. 7

Figure 103, Strauss, Don Quixote, Variation VIII, m. 1

Figure 104, Strauss, Till Eulenspiegel, number 11

Figure 105, Ligeti, Atmosphères (1961), m. 1

Figure 106, Ligeti, Atmosphères (1961), m. 62

Figure 107, Ligeti, Atmosphères (1961), m. 44, section

Figure 108, Lutoslawski, Symphony No. 2 (1967), 1st movement, m. 1

Figure 109, Lutoslawski, Trois poèmes d’Henri Michaux (1963), 1st movement, m. 51

Figure 110, Penderecki, Threnos (1960), m. 6

Figure 111, Penderecki, Threnos (1960), instructions

Figure 112, Xenakis, Metastaseis (1954), m. 287

Figure 113, Adams, Harmonium (1981), 1st movement, m. 142

Figure 114, Berlioz, Symphonie fantastique, 1st movement, m. 516-528

Figure 115, Berlioz, Symphonie fantastique, 1st movement, m. 516-528, reduction

Figure 116, Brahms, Symphony No. 4, 4th movement, m. 1

Figure 117, Brahms, Symphony No. 4, 4th movement, m. 1, reduction

Figure 118, Mozart, Symphony No. 40, 3rd movement, m. 15

Figure 119, Wagner, Tristan und Isolde, Vorspiel, m. 43

Figure 120, Wagner,Lohengrin, Vorspiel, m. 23

Figure 121, Wagner,Lohengrin, Vorspiel, m. 23, reduction

Figure 122, Reger,Variationen und Fuge über ein Thema von Mozart, fugue, number 29, m. 5

Figure 123, Reger, Variationen und Fuge über ein Thema von Mozart, fugue, number 29, m. 5, reduction

Figure 124, Reger, Variationen und Fuge über ein Thema von Mozart, fugue, number 29, m. 5, alto part

Figure 125, Mozart, Symphony No. 41, 4th movement, m. 384

Figure 126, Beethoven, Symphony No. 3 (“Eroica”), 4th movement, m. 138

Figure 127, Mendelssohn, Symphony No. 4, 2nd movement, m. 12

Figure 128, Britten, The Young Person’s Guide to the Orchestra, fugue, letter E

Figure 129, Brahms, Symphony No. 2, final chord

Figure 130, Strauss, Till Eulenspiegel, final chord

Figure 131, Strauss, Ein Heldenleben, final chord (ff)

Figure 132, Strauss, Ein Heldenleben, final chord (p molto dim)

Figure 133, Strauss, Tod und Verklärung, final chord

Figure 134, Mahler, Symphony No. 6, final chord

Figure 135, Stravinsky, Symphony of Psalms, opening chord

Figure 136, Stravinsky, Symphony of Psalms, final chord

Figure 137, Stravinsky, Suite No. 2, “Galop,” final chord

Figure 138, Strauss, Don Quixote, m. 120

Figure 139, Strauss, Ein Heldenleben, number 71, m. 4

Figure 140, Beethoven, Symphony No. 7, 2nd movement, m. 75

Figure 141, Stravinsky, Le sacre du printemps, 3 m. before number 71

Figure 142, fp

Figure 143, Stravinsky, Chorale Variations on “Vom Himmel hoch” (Bach), var. 4, m. 13

Figure 144, Stravinsky, Petrushka, m. 1

Figure 145, Stravinsky, Petrushka, number 121, m. 2

Figure 146, Vivaldi, The Four Seasons, “Autumn,” 3rd movement, m. 30

Figure 147, Strauss, Don Quixote, Variation II, m. 224

Figure 148, Strauss, Don Quixote, Variation II, m. 234

Figure 149, Stravinsky, Petrushka, number 17, m. 3

Figure 150, Crumb, Vox Balaenae (1971), “Archeozoic,” m. 1

Figure 151, Stravinsky, Symphony in three Movements, 3rd movement, number 169, m. 5

Figure 152, Strauss, Der Bürger als Edelmann, 7th movement, m. 46

Figure 153, Strauss, Der Bürger als Edelmann, 7th movement, m. 1

Figure 154, Stravinsky, Agon, Gailliarde, m. 164

Figure 155, Debussy, Nocturnes, “Fêtes,” number 10

Figure 156, Strauss, Der Rosenkavalier, 2nd Act, number 26, m. 5

Figure 157, Stravinsky, Petrushka, “Dance of the Peasant and the Bear,” number 188, m. 3

Figure 158, Debussy, Iberia, number 57, m. 4

Figure 159, Stravinsky, Petrushka, number 132, m. 3

Figure 160, Stravinsky, Pulcinella, 1st movement, number 5, m. 5

Figure 161, Stravinsky, Symphony of Psalms, 2nd movement, number 1, m. 5

Figure 162, Stravinsky, Agon, Interlude, m. 39

Figure 163, Haydn, Symphony No. 101, 1st movement, m. 24, first subject

Figure 164, Haydn, Symphony No. 101, 1st movement, m. 80, second subject

Figure 165, Beethoven, Symphony No. 5, 1st movement, m. 1, first subject

Figure 166, Beethoven, Symphony No. 5, 1st movement, m. 59, second subject

Figure 167, Mozart, Symphony No. 40, 1st movement

Figure 168, Schumann, Symphony No. 3, m. 1

Figure 169, Schumann, Symphony No. 3, m. 95

Figure 170, Debussy, Nocturnes, “Nuages,” number 2, m. 7

Figure 171, Mahler, Symphony No. 4, 3rd movement, m. 55

Figure 172, Mahler, Symphony No. 6, 2nd movement, number 65, m. 3

Figure 173, Mahler, Kindertotenlieder, “Nun will die Sonn’ so hell aufgeh’n,” number 8

Figure 174, Mahler, Symphony No. 9, 1st movement, number 12. m. 4

Figure 175, Lutoslawski, Livre pour orchestre (1968), Chapter 1

Figure 176, Mahler, Symphony No. 9, 1st movement, 8 m. before number 14

Figure 177, Beethoven, Leonora Overture No. 3, m. 268

Figure 178, Langgaard, Music of the Spheres, number 9

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